Indonesia
Untitled Joker is an Indonesia-based YouTube creator who has built a multi-million subscriber following under the 'Joker's Universe' brand identity, producing short-form comedy, parody, and sketch content distributed almost exclusively through YouTube Shorts.
Total Followers +0.0%
23.8M
Across YouTube
Primary Platform
YouTube
23.8M followers · 100% of audience
Engagement
1.6%
vs. 1.5% category median
Sponsorship Tier
Mega
Est. — / IG post
| Platform | Followers | 30d Growth | Engagement | Posts / wk | Last upload |
|---|---|---|---|---|---|
| YouTube | 23,800,000 | +0 | 1.6% | 61.6 | 1 day ago |
| Window | YouTube | Combined | ||
|---|---|---|---|---|
| Last 7 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
| Last 30 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
| Last 90 days | +1M +4.4% | +0 +0.0% | +0 +0.0% | +1M |
| Last 365 days | +1M +4.4% | +0 +0.0% | +0 +0.0% | +1M |
Daily follower snapshots from CreatorDB's longitudinal index.
Untitled Joker is an Indonesia-based YouTube creator who has built a multi-million subscriber following under the 'Joker's Universe' brand identity, producing short-form comedy, parody, and sketch content distributed almost exclusively through YouTube Shorts. The channel leans heavily into pop-culture remixing — recurring content pillars include gaming parodies centered on Nintendo characters like Mario and Princess Peach, K-pop-adjacent humor, and seasonal themes around moments like Halloween. The channel operates under MCN management, signaling a more structured production and monetization setup than typical independent creators at this tier. Despite being based in Indonesia, roughly a third of the audience sits in English-speaking markets, pointing to a humor style that translates well across language barriers — a meaningful advantage for a format where visual gags and familiar IP carry most of the comedic load.
The audience skews strongly male and clusters in the 18–34 demographic, a profile that historically attracts gaming, snack, and entertainment advertisers. Engagement sits at the category median, which for a channel of this scale and Shorts-heavy output is a reasonable baseline rather than a warning sign. No dominant brand partner has emerged publicly, leaving the channel's commercial positioning relatively open. With consistent daily uploads, an established persona, and substantial reach into both Southeast Asian and Western English-speaking markets, Untitled Joker is well positioned to attract mid-funnel deals in gaming peripherals, mobile apps, or snack categories — verticals that commonly activate around the young male, gaming-adjacent audience this channel has cultivated.
Untitled Joker reaches an audience concentrated in Indonesia primarily through YouTube, and is best activated via long-form YouTube integrations. As a comedy creator they map naturally to brands targeting that space. Engagement on YouTube runs around 1.6%, pointing to an audience suited to category-relevant, mid-funnel brand campaigns rather than pure-reach buys.
Benchmark estimates for a creator at Untitled Joker's tier (Mega, 23.8M combined followers, Indonesia). Pulled from CreatorDB's category benchmarks.
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Untitled Joker makes short-form parody and sketch comedy content on YouTube, almost exclusively posted as YouTube Shorts. The channel revolves around a recurring Joker character who gets placed into absurd, comedic situations drawn from video games, seasonal themes, and globally trending pop culture topics.
Yes, Mario-themed parody shorts are one of the most recognizable content types on the channel. Titles like 'Peach accidentally swallows Mario' and 'Mario rescues Princess Peach' drop Nintendo's iconic characters into absurd comedic scenarios that fit the broader parody comedy style Untitled Joker is built around.
Joker's Universe is the overarching brand name Untitled Joker uses to frame their channel — the bio describes it as a destination for 'the madness and joy expressed in the Joker's heart.' It positions the Joker not just as a content theme but as a recurring comedic persona that ties the whole channel together.
Some of Untitled Joker's shorts are structured around feel-good storytelling arcs — 'Reward of Kindness' is one titled example where the comedy resolves on a moral outcome. This mix of humor and heartwarming narrative is part of what gives the channel broader appeal across different age groups beyond pure comedy fans.
#jokerxgaming is a hashtag Untitled Joker uses to tag gaming-related content, indicating gaming culture is a distinct content lane within the Joker's Universe. It signals that video game parody — including the Mario shorts — is treated as its own recurring series rather than one-off content.
Untitled Joker has tagged content with both #wednesday and #halloween, pointing to parody or comedy shorts built around the Wednesday Addams cultural wave and Halloween-season themes. Riding globally viral pop culture moments is a core strategy for how the channel stays discoverable and timely.
K-pop appears as one of Untitled Joker's recurring content themes, with #kpop used as a hashtag across their shorts output. This fits the channel's broader pattern of latching onto globally trending topics — from gaming to K-pop to Netflix series — and spinning them into quick parody or comedy clips.
Untitled Joker's advertising inquiries are routed through YaofacaiMCN, a Chinese multi-channel network whose contact email is listed directly in the YouTube bio alongside Chinese-language text for 'contact information.' This setup — a Chinese MCN managing an Indonesian creator — reflects how the channel is structured for international commercial reach.
Untitled Joker is based in Indonesia, which accounts for the largest single share of the channel's viewership. Despite those domestic roots, a substantial portion of the audience comes from the United States, Australia, and the United Kingdom, which is unusual reach for an Indonesian-origin comedy channel.
Untitled Joker has surpassed 23 million subscribers on YouTube, placing the channel firmly in the Mega tier globally. The audience skews heavily male and is concentrated in the 25–34 age bracket, with Indonesia forming the core viewership base and the United States as the largest international audience.
Stats (followers, engagement, audience demographics, growth) are pulled live from the CreatorDB API covering YouTube, Instagram and TikTok. Bio and FAQ content is AI-assisted; news items are sourced from cited public press at generation time. Read the full methodology →
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