Operating out of Switzerland, @pardon. — a name that doubles as a self-aware disclaimer, echoing the channel's own "pardon me" framing — is a micro-scale beatmaker and remixer whose output centers…
Total Followers +0.0%
24K
Across YouTube
Primary Platform
TikTok
24K followers · 100% of audience
Engagement
8.2%
vs. 1.5% category median
Sponsorship Tier
Micro
Est. — / IG post
| Platform | Followers | 30d Growth | Engagement | Posts / wk | Last upload |
|---|---|---|---|---|---|
| YouTube | 23,800 | +0 | 8.2% | — | 7 months ago |
| Window | YouTube | Combined | ||
|---|---|---|---|---|
| Last 7 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
| Last 30 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
| Last 90 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
| Last 365 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
Daily follower snapshots from CreatorDB's longitudinal index.
Operating out of Switzerland, @pardon. — a name that doubles as a self-aware disclaimer, echoing the channel's own "pardon me" framing — is a micro-scale beatmaker and remixer whose output centers almost entirely on reinterpreting tracks by MORAD, the Barcelona-based street rapper of Moroccan descent who has become one of the most prominent voices in European Spanish-language trap. The channel functions as a dedicated creative workshop rather than a personal brand: every recent upload recontextualizes a MORAD track under the producer's own arrangement, with the handle appended in parentheses as a consistent signature. The YouTube bio makes the project's ethos explicit — this is craft for its own sake, with all copyright explicitly deferred to the original rights holders, and any ad revenue flowing back to the artists themselves.
Despite a modest total audience in the tens of thousands, @pardon. posts engagement rates that run several multiples above the category median, a pattern typical of niche remix channels that attract deeply invested listeners rather than casual scrollers. The 50/50 gender split suggests the content appeals broadly within MORAD's fanbase rather than to a demographic subgroup. There are no brand partnerships on record, which is consistent with the copyright-sensitive nature of remix content — commercial sponsorships in this format carry legal complexity that most brands avoid. With uploads having paused for several months as of mid-2026, the channel's trajectory hinges on whether @pardon. expands into original production or continues as a fan-driven curatorial project; either path positions them within a growing European producer underground with an audience primed to follow genuine creative output.
pardon. reaches an audience concentrated in CHE primarily through TikTok, and is best activated via long-form YouTube integrations. As a music creator they map naturally to brands targeting that space. Engagement on TikTok runs around 8.2%, pointing to an audience suited to category-relevant, mid-funnel brand campaigns rather than pure-reach buys.
Benchmark estimates for a creator at @pardon.'s tier (Micro, 24K combined followers, CHE). Pulled from CreatorDB's category benchmarks.
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@pardon. is a Switzerland-based beatmaker and producer who creates unofficial beat remixes of songs by Spanish rapper MORAD. The creator brands their productions as 'Prod. by Pardon (Me),' making the handle both a name and a production credit stamp.
No — @pardon. explicitly states in their bio that they do not earn money from their remixes. All copyright belongs to the original label and copyright holders, and any advertising that appears on the content is monetized by the original artists, not by @pardon. themselves.
Among the MORAD tracks @pardon. has produced remixes for are Sin Comando, Las Movida, Oscuro, Solo, and Siempre. MORAD is a Spanish-Moroccan rapper prominent in Spain's urban trap scene, and @pardon.'s remixes have built a dedicated following around that catalog.
There is no indication that @pardon. has any official affiliation with MORAD or his label. The creator explicitly frames their work as fan-made, stating that all rights belong to the label and original copyright holders and that they receive no earnings from the content.
The 'Pardon (Me)' tag functions as a producer signature, similar to how beatmakers stamp tracks with a name in the credits. It is built directly into the handle @pardon., creating a double meaning as both an identity and a tongue-in-cheek nod to releasing copyrighted remixes without label authorization.
As of mid-2026, @pardon.'s YouTube channel has not seen a new upload in roughly six months, suggesting a posting hiatus on that platform. TikTok remains their primary and most active home for new beat content.
@pardon.'s engagement rate runs well above the category average for music creators — a signal of a tight-knit, loyal niche audience rather than passive casual viewers. Fans of MORAD who actively seek out remixes tend to interact much more intensely with content they have specifically searched for.
@pardon.'s bio describes them as a beatmaker who does remixes and 'creative stuff,' suggesting they work across both original production and fan remixes. However, their publicly visible catalog is dominated by MORAD remixes, which appear to be the primary driver of their audience and engagement.
Yes, @pardon. is based in Switzerland. Despite being a Swiss creator, their content focuses almost entirely on Spanish-language music — specifically the catalog of Spanish rapper MORAD — giving the account a notably cross-cultural audience appeal.
@pardon. is primarily active on TikTok, which is their main platform and where the bulk of their audience is concentrated. They also maintain a YouTube channel for beat and remix uploads, though activity there has slowed significantly heading into mid-2026.
Stats (followers, engagement, audience demographics, growth) are pulled live from the CreatorDB API covering YouTube, Instagram and TikTok. Bio and FAQ content is AI-assisted; news items are sourced from cited public press at generation time. Read the full methodology →
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