France
Lotfi Abdelli is a French stand-up comedian of North African origin who has built a substantial social media following by sharing clips of his live comedy sets performed at Parisian venues such as the Broadway Comedy Club and Comedy Club Paris.
Total Followers -0.1%
2.1M
Across Instagram
Primary Platform
YouTube
2.1M followers · 100% of audience
Engagement
0.9%
vs. 1.5% category median
Sponsorship Tier
Macro
Est. $25K–$58K / IG post
Produced by Dark Smile Productions, the show co-written with Jérémy Ferrari continues its extended Paris residency with dates running through 19 December 2026, following a successful stint at the Palais des Glaces earlier in 2025.
The stand-up show co-written with Jérémy Ferrari was awarded both the jury and public prizes at the prestigious Tournon-sur-Rhône national comedy festival, helping launch a nationwide French tour.
The Tunisian comedian played multiple weekly dates at the Palais des Glaces in Paris from January through April 2025, marking a major step in his French market breakthrough.
| Platform | Followers | 30d Growth | Engagement | Posts / wk | Last upload |
|---|---|---|---|---|---|
| 2,071,490 | -3K | 0.9% | 5.8 | 4 days ago |
| Window | Combined | |||
|---|---|---|---|---|
| Last 7 days | -414 -0.0% | +0 +0.0% | +0 +0.0% | -414 |
| Last 30 days | -3107 -0.1% | +0 +0.0% | +0 +0.0% | -3107 |
| Last 90 days | -414 -0.0% | +0 +0.0% | +0 +0.0% | -414 |
| Last 365 days | -414 -0.0% | +0 +0.0% | +0 +0.0% | -414 |
Daily follower snapshots from CreatorDB's longitudinal index.
Lotfi Abdelli is a French stand-up comedian of North African origin who has built a substantial social media following by sharing clips of his live comedy sets performed at Parisian venues such as the Broadway Comedy Club and Comedy Club Paris. His Instagram presence — the platform driving the bulk of his measurable engagement — serves primarily as a highlight reel for his stage work, with short-form video content drawn from recurring shows scheduled on Friday and Saturday evenings. His comedy style engages with contemporary and broadly accessible subjects: modern dating culture, artificial intelligence and robotics, current affairs, and the textures of everyday French life, making his material relatable across a wide demographic range.
His audience is heavily concentrated in France — accounting for roughly three-quarters of his followers — with secondary reach into the French-speaking world across Belgium, Morocco, and Switzerland, reflecting the natural geography of Francophone stand-up comedy. The crowd skews male and falls predominantly in the 25–34 and 18–24 age bands, an audience profile well-suited to brands in entertainment, consumer tech, and lifestyle categories. Engagement sits below the category median, which is typical of macro-tier accounts where passive consumption of comedy clips dominates over active interaction. As live comedy in France continues to expand its digital pipeline, Abdelli is positioned as a recognizable face within that ecosystem — a club-circuit comedian whose online presence amplifies ticket demand and gives brands a culturally fluent entry point into Francophone millennial audiences.
Lotfiabdelli reaches an audience concentrated in France primarily through YouTube, and is best activated via Instagram Reels and Stories. As a comedy creator they map naturally to brands targeting that space. With no brand deals logged yet, they read as an available, category-aligned partner for advertisers building early presence in the space. Engagement on YouTube runs around 0.9%, which points to an audience better suited to category-relevant, mid-funnel campaigns than to pure-reach buys. Their YouTube-first format lends itself to integrations that sit inside the creator's usual content rather than running as standalone ads. Because the audience follows comedy content rather than arriving through untargeted reach, sponsorships that match the channel's subject matter tend to convert more efficiently than broad placements. A consistent, on-topic posting focus gives sponsors a predictable, brand-safe environment, lowering placement risk compared with broad, general-interest channels. Campaigns here are best measured on qualified engagement and consideration within the niche rather than on raw impression volume. For France-focused brands in comedy and related categories, Lotfiabdelli offers a defined, creative-fit audience rather than broad, low-intent impressions.
Benchmark estimates for a creator at Lotfiabdelli's tier (Macro, 2.1M combined followers, France). Pulled from CreatorDB's category benchmarks.
The CreatorDB Agency runs end-to-end influencer campaigns globally — shortlisting, outreach, contracting, and performance reporting. Talk to our team about building a campaign around creators in this niche.
Lotfi Abdelli performs at two of Paris's best-known live comedy venues — the Broadway Comedy Club and the Comedy Club Paris, both of which appear as regular hashtags across his content. These clubs are anchor stops on the Francophone stand-up circuit, putting him in front of dedicated comedy-club crowds on a recurring basis.
His Paris shows run on Friday and Saturday evenings at 21h30, as stated directly in his Instagram bio. This fixed weekly schedule points to a residency-style engagement rather than sporadic tour dates, making it easy for Paris-based fans to plan ahead.
Yes — artificial intelligence and robots are recurring subjects in his sets, reflected in the hashtags #robot and #ia (the French abbreviation for intelligence artificielle) that he uses consistently across his posts. He appears to treat AI not as niche tech talk but as everyday social satire aimed at a broad general audience.
Tinder features prominently among his top content hashtags, suggesting swipe culture and modern dating are a reliable pillar of his stand-up material. Combined with his AI jokes, it paints a picture of a comedian who turns the anxieties of contemporary digital life into crowd-friendly observational humor.
The hashtag #pape (French for Pope) appears among his top content tags, indicating he draws on high-profile public figures and current events as comedy fodder. His style seems to blend topical cultural commentary with relatable everyday themes, keeping the material news-adjacent and consistently fresh.
While France accounts for the large majority of his audience, he also draws meaningful viewership from French-speaking Belgium, Morocco, and Switzerland — making him a genuinely Francophone rather than strictly French phenomenon. This cross-border reach is characteristic of French-language comedians who circulate across the broader comedy club scene of la Francophonie.
Lotfi Abdelli performs topical observational stand-up in French, blending material about artificial intelligence, dating apps, and contemporary public figures into sets built for a broadly urban Francophone crowd. His weekly comedy club residency format suggests tightly crafted material delivered to live audiences rather than one-off specials.
His listed primary platform is YouTube, but Instagram is where he maintains the most active public-facing presence, with a following well into the millions there. The two platforms likely serve different functions — Instagram for short clips and show promotion, YouTube for longer-form content or full recorded sets.
Lotfi Abdelli has built a following of over two million across his main social channels, placing him firmly in the Macro tier of French-language creators. His audience skews predominantly male and is concentrated in the 25–44 age bracket — the core live-comedy demographic.
His audience is majority male and concentrated in the 25–44 age range, with the 25–34 bracket representing the single largest segment. Geographically, the viewership is overwhelmingly French-speaking, led by France and supplemented by audiences in Belgium, Morocco, and Switzerland.
Stats (followers, engagement, audience demographics, growth) are pulled live from the CreatorDB API covering YouTube, Instagram and TikTok. Bio and FAQ content is AI-assisted; news items are sourced from cited public press at generation time. Read the full methodology →
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