Hochudomoj — Russian for 'I Want to Go Home' — is a Belarus-based Russian-language documentary travel channel on YouTube that blends immersive on-the-ground reporting with adventure storytelling.
Total Followers +0.0%
1.5M
Across YouTube, Instagram
Primary Platform
YouTube
1.4M followers · 94% of audience
Engagement
2.9%
vs. 1.5% category median
Sponsorship Tier
Macro
Est. $1.7K–$4.2K / IG post
| Window | YouTube | Combined | ||
|---|---|---|---|---|
| Last 7 days | +0 +0.0% | -42 -0.1% | +0 +0.0% | -42 |
| Last 30 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
| Last 90 days | +0 +0.0% | -601 -0.7% | +0 +0.0% | -601 |
| Last 365 days | +0 +0.0% | -601 -0.7% | +0 +0.0% | -601 |
Daily follower snapshots from CreatorDB's longitudinal index.
| Brand | Type | Platform | Date | Performance vs. baseline |
|---|---|---|---|---|
| Горбилет Sponsorship | Sponsored content | YouTube | Jul 2026 | — |
| realme Sponsorship | Sponsored content | YouTube | Jul 2026 | — |
| Sutochno.ru Sponsorship | Sponsored content | YouTube | Jun 2026 | — |
| AutoSpot Sponsorship | Sponsored content | YouTube | Jun 2026 | — |
| Okko Sponsorship | Sponsored content | YouTube | May 2026 | — |
Hochudomoj — Russian for 'I Want to Go Home' — is a Belarus-based Russian-language documentary travel channel on YouTube that blends immersive on-the-ground reporting with adventure storytelling. Rather than conventional tourism content, the project focuses on how ordinary people survive in extraordinary circumstances: dictatorial regimes, economic collapse, tribal communities, and social experiments far outside mainstream experience. Recent episodes have taken the channel into Ethiopia's local bar culture and street food scene, and into post-crisis Venezuela where petrol prices and dollar-denominated wages reveal a system in distress. The channel's self-described mission — to find life experiences that deviate sharply from the norm and extract something instructive from them — gives it a tone closer to investigative journalism than travel vlogging, with titles that balance genuine curiosity against deliberate provocation.
The audience skews heavily male and spans a broad age range from young adults through middle age, concentrated in Russia and the wider Russian-speaking CIS region. That demographic profile is reflected in the channel's current sponsor roster, which includes Sutochno.ru (short-stay apartment rentals), Okko (Russian streaming), AutoSpot, and realme — a budget smartphone brand with strong penetration across post-Soviet markets — pointing to a practical, cost-conscious viewership rather than a premium lifestyle audience. Engagement running at roughly double the category median suggests a community that actively responds to the content rather than passively consuming it, a meaningful signal for advertisers seeking reach within the Russian-language internet. As documentary-style travel content continues to grow as a format in that market, Hochudomoj is positioned well for brands targeting curious, geographically dispersed Russian-speaking men who follow geopolitical and cultural stories as closely as travel itself.
Hochudomoj reaches an audience concentrated in BLR primarily through YouTube, and is best activated via long-form YouTube integrations, Instagram Reels and Stories. As a travel creator they map naturally to brands targeting that space. Demonstrated partners include Горбилет and realme. Engagement on YouTube runs around 2.9%, pointing to an audience suited to category-relevant, mid-funnel brand campaigns rather than pure-reach buys.
Benchmark estimates for a creator at Hochudomoj's tier (Macro, 1.5M combined followers, BLR). Pulled from CreatorDB's category benchmarks.
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"Хочу домой" translates from Russian as "I Want to Go Home". The name frames the channel's core concept: exploring what home and ordinary life look like for people living in extraordinary, difficult, or isolated conditions around the world.
Yes — one of the channel's most widely discussed videos follows a visit to the sketchiest bars in Africa during a trip to Ethiopia, where the host ate raw brains washed down with bile as part of experiencing local food culture firsthand. This kind of unglamourized, full-immersion participation is a signature approach of the channel.
The channel released a video exploring tribal traditions in Africa that involve subjecting women to painful rituals — the host described being moved to tears while filming. Hochudomoj regularly documents cultural practices that rarely receive mainstream coverage, including ones that are disturbing or ethically confronting.
Yes — the channel published a video about daily life in Venezuela in the aftermath of the presidential arrest, highlighting extremes like petrol being cheaper than water and average salaries of around one dollar. These deep-dives into countries in the middle of political or economic collapse are a core format for Hochudomoj.
The channel describes itself as a mix of documentary and adventure, explicitly setting itself apart from conventional travel vlogs. The focus is on how ordinary people survive in unusual or extreme conditions — covering topics from dictatorial regimes and experimental communes to economic crises and social collapse.
Yes — exploring life under dictatorial regimes and in places hit by political or economic collapse is central to the channel's identity. Venezuela and Ethiopia are among recent destinations, and the channel's own bio explicitly names dictatorial regimes and experimental communes as subjects it investigates.
The #гастротур (gastro-tour) content follows the host eating and drinking alongside locals in each destination, from unusual street food to deliberately challenging traditional dishes. The recurring hashtag #хочупожрать ("I want to eat") signals that food is a consistent lens through which the channel explores and compares wildly different ways of life.
Recent sponsors include realme (smartphones), Горбилет (event and ticket booking), Sutochno.ru (short-term apartment rentals), AutoSpot (car marketplace), and Okko (Russian streaming platform). The sponsor mix reflects an audience that is Russian-speaking, digitally active, and comfortable spending on travel and consumer tech.
The channel has grown past 1.3 million subscribers on YouTube, placing it firmly in the Macro creator tier for Russian-language content. Engagement runs well above the category median — a strong signal for a documentary-style format, which typically draws a more passive audience than entertainment-first channels.
Hochudomoj is based in Belarus and publishes content entirely in Russian. The audience is overwhelmingly Russian-speaking, with the largest share of viewers coming from Russia, followed by Ukraine, Kazakhstan, and Belarus — and it skews heavily male, concentrated in the 25–44 age range.
Stats (followers, engagement, audience demographics, growth) are pulled live from the CreatorDB API covering YouTube, Instagram and TikTok. Bio and FAQ content is AI-assisted; news items are sourced from cited public press at generation time. Read the full methodology →
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@hochudomoj · YouTube
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