Eduardobrasilbass — likely the channel of Eduardo Brasil, a Brazilian bassist, music educator, and ensemble performer — operates at the intersection of academic musicianship and digital content creation.
Total Followers +0.0%
55K
Across YouTube, Instagram
Primary Platform
YouTube
53K followers · 95% of audience
Engagement
—
vs. 1.5% category median
Sponsorship Tier
Micro
Est. $63–$177 / IG post
| Window | YouTube | Combined | ||
|---|---|---|---|---|
| Last 7 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
| Last 30 days | +0 +0.0% | +16 +0.6% | +0 +0.0% | +16 |
| Last 90 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
| Last 365 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
Daily follower snapshots from CreatorDB's longitudinal index.
Eduardobrasilbass — likely the channel of Eduardo Brasil, a Brazilian bassist, music educator, and ensemble performer — operates at the intersection of academic musicianship and digital content creation. His Instagram bio states he holds a Master's degree in music from the Universidade Federal de Minas Gerais (UFMG), one of Brazil's most respected public universities, grounding his content in formal musical expertise. His work centers on the contrabaixo (double bass and electric bass) within distinctly Brazilian musical traditions: choro, samba, and frevo appear repeatedly in his posts and hashtags, and his content includes bass covers, performance clips, and reverent tributes to figures like Paulinho da Viola and Hermeto Pascoal. He appears to perform regularly with the ensemble Prisma Luminoso, with posts advertising live lunch-and-music sessions, suggesting an active presence in Brazil's live music scene alongside his digital output.
With a micro-scale following split heavily toward YouTube and a notably high Instagram engagement rate relative to his follower count, Eduardobrasilbass commands a small but attentive audience of instrumentalists, Brazilian music enthusiasts, and music students — the kind of niche that skews toward genuine practitioners rather than passive consumers. The absence of commercial sponsors reflects his positioning as a practitioner-educator rather than an entertainment personality, though that same credibility makes him a natural fit for instrument brands, music schools, or Brazilian cultural institutions looking to reach serious players. His dual role as performer and music teacher, backed by postgraduate credentials, positions him for steady growth within Brazil's online music education space, where demand for high-quality, culturally rooted instruction continues to expand.
Eduardobrasilbass reaches its audience primarily through YouTube, and is best activated via long-form YouTube integrations, Instagram Reels and Stories. As a music creator they map naturally to brands targeting that space. With no brand deals logged yet, they read as an available, category-aligned partner for advertisers building early presence in the space. Engagement on YouTube runs around —, which points to an audience better suited to category-relevant, mid-funnel campaigns than to pure-reach buys. The channel's mix of long-form YouTube integrations and Instagram Reels and Stories lets a sponsor choose between short awareness placements and longer, more detailed integrations. Because the audience follows music content rather than arriving through untargeted reach, sponsorships that match the channel's subject matter tend to convert more efficiently than broad placements. A consistent, on-topic posting focus gives sponsors a predictable, brand-safe environment, lowering placement risk compared with broad, general-interest channels. Campaigns here are best measured on qualified engagement and consideration within the niche rather than on raw impression volume. For brands in music and related categories, Eduardobrasilbass offers a defined, creative-fit audience rather than broad, low-intent impressions.
Benchmark estimates for a creator at Eduardobrasilbass's tier (Micro, 55K combined followers, —). Pulled from CreatorDB's category benchmarks.
The CreatorDB Agency runs end-to-end influencer campaigns globally — shortlisting, outreach, contracting, and performance reporting. Talk to our team about building a campaign around creators in this niche.
Yes, Eduardo Brasil is a working music teacher as well as a performer — his Instagram bio explicitly describes him as a professor de música and directs followers to a link for class information and booking. His teaching is grounded in formal academic training, which makes him stand out from self-taught online bass educators.
Prisma Luminoso is the musical ensemble Eduardo Brasil performs with regularly, hosting live events that combine lunch sessions with Brazilian acoustic music in São Paulo. The group has staged tribute performances dedicated to artists like Paulinho da Viola and presents genres including choro in intimate venue settings.
Yes, choro — the intricate, improvisational genre rooted in 19th-century Brazilian tradition — is a core part of Eduardo Brasil's repertoire. He treats the contrabaixo as a lead melodic voice in these arrangements rather than a purely rhythmic instrument, which is a technically demanding and relatively rare approach.
Eduardo Brasil holds a Master's degree in music from UFMG — the Universidade Federal de Minas Gerais, one of Brazil's most respected public universities for music studies. This academic background directly shapes his structured approach to both performing and teaching bass.
Eduardo Brasil is a self-described pauliniano — a devoted admirer of legendary Brazilian sambista and choro musician Paulinho da Viola. He has publicly celebrated Paulinho da Viola's milestones and performs tributes to his music with Prisma Luminoso, calling him one of the greatest Brazil has ever produced.
Yes — Eduardo Brasil has performed Hermeto Pascoal's Frevo em Maceió on the contrabaixo, describing the challenge of adapting frevo melodies to bass as a distinctive musical exercise. Hermeto Pascoal is one of Brazil's most celebrated jazz and folk composers, so taking on his material signals serious ambition as an instrumentalist.
Contrabaixo is the Portuguese term for double bass or bass guitar, and it is Eduardo Brasil's primary instrument. His content covers both the acoustic and electric sides of the bass world, with a particular focus on Brazilian musical traditions like choro, frevo, and MPB.
Yes — pizzicato, the technique of plucking strings rather than using a bow, is one of the signature hashtags Eduardo Brasil uses to describe his playing style. On the contrabaixo, pizzicato produces a warmer, more percussive tone that suits the choro and Brazilian folk styles he specializes in.
Yes, Eduardo Brasil is based in São Paulo, Brazil — he regularly uses the #sp hashtag and his live shows with Prisma Luminoso take place in the São Paulo area. São Paulo's dense and competitive music scene provides a fitting backdrop for his focus on Brazilian choro and popular music.
Eduardo Brasil is most active on YouTube, where he has built an audience of over 50,000 subscribers, and he also maintains an Instagram presence for shorter clips, event announcements, and live performance previews. YouTube serves as his main channel for longer musical content and anything lesson-related.
Stats (followers, engagement, audience demographics, growth) are pulled live from the CreatorDB API covering YouTube, Instagram and TikTok. Bio and FAQ content is AI-assisted; news items are sourced from cited public press at generation time. Read the full methodology →
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