Djhabibeats is a Palestinian-identified DJ and music producer who has built a substantial cross-platform following by fusing Arabic sounds with genres that don't typically share a stage — Panjabi MC classics, Angolan rhythms, and contemporary Arab pop all appear in their catalog.
Total Followers -0.0%
1.8M
Across YouTube, Instagram, TikTok
Primary Platform
YouTube
25K followers · 1% of audience
Engagement
2.0%
vs. 1.5% category median
Sponsorship Tier
Macro
Est. $8.2K–$19K / IG post
| Window | YouTube | TikTok | Combined | |
|---|---|---|---|---|
| Last 7 days | +202 +0.8% | +220 +0.0% | +0 +0.0% | +422 |
| Last 30 days | +0 +0.0% | -55 -0.0% | +0 +0.0% | -55 |
| Last 90 days | +0 +0.0% | +16K +3.0% | +0 +0.0% | +16K |
| Last 365 days | +0 +0.0% | +16K +3.0% | +0 +0.0% | +16K |
Daily follower snapshots from CreatorDB's longitudinal index.
Djhabibeats is a Palestinian-identified DJ and music producer who has built a substantial cross-platform following by fusing Arabic sounds with genres that don't typically share a stage — Panjabi MC classics, Angolan rhythms, and contemporary Arab pop all appear in their catalog. Their content centers on original productions and remixes, official music videos such as the ONUY collaboration 'Wallah,' and track-ID reveals that tease unreleased work to an engaged fanbase. The hashtag fingerprint points to a tight creative network of Arab-diaspora and crossover artists — Felukah, Cheekychizzy, Giovanni Khoury, and Dr. Zeus among them — suggesting a producer who operates at the intersection of Arab identity and global urban music rather than any single regional market.
The audience skews notably young and female — a demographic profile more common to pop and lifestyle creators than traditional DJ pages — and is concentrated in the United States, United Kingdom, Canada, and Australia, which maps cleanly onto the Arab and South Asian diaspora communities in English-speaking markets. TikTok drives the deepest engagement relative to follower size, making short-form remix drops and behind-the-scenes car-test moments a natural growth engine. No major brand sponsorships are publicly visible at this stage, leaving clear runway for partnerships in streaming platforms, lifestyle apparel, or cultural events targeting diaspora youth audiences — a space where authentic Arabic-language creators with Western reach remain relatively scarce.
Djhabibeats reaches its audience primarily through YouTube, and is best activated via long-form YouTube integrations, Instagram Reels and Stories, TikTok branded content. As a music creator they map naturally to brands targeting that space. With no brand deals logged yet, they read as an available, category-aligned partner for advertisers building early presence in the space. Engagement on YouTube runs around 2.0%, which points to an audience better suited to category-relevant, mid-funnel campaigns than to pure-reach buys. The channel's mix of long-form YouTube integrations and Instagram Reels and Stories lets a sponsor choose between short awareness placements and longer, more detailed integrations. Because the audience follows music content rather than arriving through untargeted reach, sponsorships that match the channel's subject matter tend to convert more efficiently than broad placements. A consistent, on-topic posting focus gives sponsors a predictable, brand-safe environment, lowering placement risk compared with broad, general-interest channels. Campaigns here are best measured on qualified engagement and consideration within the niche rather than on raw impression volume. For brands in music and related categories, Djhabibeats offers a defined, creative-fit audience rather than broad, low-intent impressions.
Benchmark estimates for a creator at Djhabibeats's tier (Macro, 1.8M combined followers, —). Pulled from CreatorDB's category benchmarks.
The CreatorDB Agency runs end-to-end influencer campaigns globally — shortlisting, outreach, contracting, and performance reporting. Talk to our team about building a campaign around creators in this niche.
DJ Habibeats displays the Palestinian flag 🇵🇸 prominently in his TikTok bio, signaling Palestinian heritage or solidarity as part of his public identity. His music is deeply rooted in Arabic language, culture, and sounds, making Arab identity a defining thread across everything he puts out.
"Habibeats" fuses "habibi" — the Arabic word for "my love" or "my dear" — with "beats," nodding directly to his role as a DJ and producer. The name captures his whole mission: bringing Arab musical culture into a contemporary, production-forward package.
"WALLAH" is an official music video collaboration between DJ Habibeats and the artist ONUY. The track title uses the Arabic expression "wallah" — meaning "I swear by God" — which is consistent with his wider practice of weaving Arabic language and culture directly into his release titles and lyrics.
Yes — cross-cultural genre fusion is one of his signature moves, including blending the classic Panjabi MC track "Mundian To Bach Ke" into Arabic sets. This Panjabi-meets-Arabic style is a recurring theme in his content and is part of what sets him apart from more traditional Arabic DJs.
"Akbar Ghalta" is a track by DJ Habibeats and collaborator DAVENUNES_, built on an original by Reem Alsawas. It shows his producer side — taking existing Arabic music and giving it a fresh DJ-driven remix treatment rather than creating fully original compositions from scratch.
Yes — both his Instagram and TikTok bios are dedicated primarily to promoting upcoming shows, making live performance a central pillar of his career alongside studio work. For a creator of his size, active touring signals he is operating as a full professional DJ rather than a purely online-native act.
Dabke — the traditional Levantine line-dance genre — appears in his content hashtags and post captions alongside modern Arabic pop and Panjabi beats. His approach fuses these traditional Arab musical forms with contemporary DJ production, bringing dabke sounds into new genre spaces.
Yes — he has posted content that explicitly combines Arab sounds with Angolan rhythms, even tagging both "dabke" and "angola" in the same post. This willingness to pull in African genres alongside Middle Eastern ones is a recurring creative choice, not a one-off experiment.
His collaborator network includes artists and producers like Felukah, Giovanni Khoury, Cheekychizzy, Dr Zeus, DAVENUNES_, and dj.sudi, spanning Arab, British-Punjabi, and international music scenes. The breadth of those tags suggests he positions himself as a bridge figure across multiple diaspora music communities rather than staying in a single lane.
The majority of his audience is based in the United States, with secondary followings in the United Kingdom, Canada, and Australia. Despite centering his music in Arab cultural identity, he has built a predominantly Western, English-speaking fanbase — a demographic split common to diaspora-rooted creators who break through on platforms like TikTok.
Stats (followers, engagement, audience demographics, growth) are pulled live from the CreatorDB API covering YouTube, Instagram and TikTok. Bio and FAQ content is AI-assisted; news items are sourced from cited public press at generation time. Read the full methodology →
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@djhabibeats · YouTube
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