Cockroach

The @cockroach Instagram bio lists five productions as credits: The Listener, Our Oceans, Prehistoric Planet, Dynasties: Painted Wolf, and Monsoon. These span major nature and wildlife documentary productions associated with prominent broadcasters and streaming platforms. Their Instagram content — ocean cinematography, bioluminescence, and wildlife footage — clearly reflects hands-on experience from shooting these projects.

Yes, Prehistoric Planet is listed directly in Cockroach's Instagram bio as one of their credited productions. Prehistoric Planet is an Apple TV+ series narrated by Sir David Attenborough that uses photorealistic CGI to recreate dinosaurs in a natural-world documentary style. It is one of the highest-profile titles in Cockroach's filmography.

Our Oceans appears as a prominent credit in Cockroach's bio and is their most-used Instagram hashtag (#ouroceans), reflecting how central the project is to their current work. Their posts regularly feature spectacular ocean footage — bioluminescence, kelp forest sequences, and fish school formations — that tie directly to the production. Filming locations referenced across their posts include South Africa, California, and the Caribbean.

Dynasties is a BBC nature documentary series following animal family groups over time, and the Painted Wolf episode focuses on African painted wolves — also known as wild dogs — filmed in Zimbabwe. Cockroach lists Dynasties: Painted Wolf as one of their directorial credits in their Instagram bio, placing them firmly within the BBC natural history filmmaking world.

#iphone is among Cockroach's regularly used hashtags, suggesting they capture some Instagram content on an iPhone alongside professional cinema gear. It is a notable detail for a director whose credited work spans major streaming and broadcast productions. Autumn landscape and texture posts in particular appear to be shot this way, alongside their more technical ocean cinematography.

Several of Cockroach's Instagram posts showcase bioluminescent ocean life — including displays off the California coast and in the Caribbean — described in their own captions as nature's own "fireworks" and "holiday light show." Capturing bioluminescence requires specialist low-light cinematography in open-water conditions at night, skills that align with their extensive experience on underwater productions like Our Oceans.

One of Cockroach's Instagram posts describes how menhaden fish schools create a dazzling "mirrorball effect" in New York's coastal waters, as thousands of silver-scaled fish move in tight, synchronized formation. Menhaden are an ecologically important forage fish on the US East Coast, and the footage is consistent with the ocean wildlife cinematography Cockroach produces for Our Oceans.

Yes — beyond ocean cinematography, Cockroach shares autumn and fall foliage content using hashtags like #autumncolours, #fallcolors, and #treesofinstagram, as well as abstract landscape and texture photography. This suggests they document terrestrial natural environments alongside their marine work, likely captured during international travels for documentary productions.

Cockroach is based in the United Kingdom, which aligns with their credits on BBC productions like Dynasties: Painted Wolf and fits the natural history filmmaking community centred around the UK. The majority of their Instagram audience is also UK-based, though their posts document filming locations as far afield as South Africa, California, and the Caribbean.

The Listener is listed first among the five productions in Cockroach's Instagram bio, appearing ahead of Our Oceans and Prehistoric Planet. Beyond its placement as a titled production credit, Cockroach's Instagram does not provide further broadcast or release details about the project. It is one of two credits — alongside Monsoon — about which the account shares the least additional context.