United States
Bixbyfilms is a Florida-based storyteller, filmmaker, and skateboarder who identifies as a member of the Lumbee Tribe — one of the largest Indigenous nations in the eastern United States.
Total Followers +3.4%
903K
Across YouTube, Instagram, TikTok
Primary Platform
YouTube
13K followers · 1% of audience
Engagement
2.5%
vs. 1.5% category median
Sponsorship Tier
Mid
Est. $3.5K–$8.7K / IG post
The storyteller and filmmaker expanded his monetization footprint by launching a Cameo profile, opening a new direct-to-fan revenue channel.
The publication — covering dark history, filmmaking, and skateboarding — has grown to hundreds of subscribers and includes posts tied to his viral true-crime and history content series.
| Window | YouTube | TikTok | Combined | |
|---|---|---|---|---|
| Last 7 days | +100 +0.8% | +626 +0.4% | +5K +0.7% | +6K |
| Last 30 days | +520 +3.9% | +3K +1.5% | +28K +3.9% | +31K |
| Last 90 days | +2K +13.8% | +12K +7.0% | +114K +15.9% | +128K |
| Last 365 days | +2K +13.8% | +12K +7.0% | +114K +15.9% | +128K |
Daily follower snapshots from CreatorDB's longitudinal index.
Bixbyfilms is a Florida-based storyteller, filmmaker, and skateboarder who identifies as a member of the Lumbee Tribe — one of the largest Indigenous nations in the eastern United States. Operating primarily out of St. Petersburg, his content sits at the intersection of dark history, true crime, and documentary-style narrative, delivered in a serialized short-form format that rewards return viewers. Series like his multi-part breakdown of the Aurora Movie Theater Tragedy exemplify his approach: meticulous, chapter-driven storytelling that keeps audiences coming back across TikTok and Instagram. His identity as an Indigenous creator adds a distinctive lens to historical and cultural material that distinguishes him from the broader true crime and history content space.
Bixbyfilms has built his following primarily on TikTok, where engagement runs well above category norms, with Instagram serving as a strong secondary platform and YouTube occupying a smaller but growing presence. His audience skews male and concentrates heavily in the 18–34 age band, with meaningful reach in the UK, India, and Canada alongside his dominant US base — a footprint that suits globally transferable historical topics. The skateboarding thread in his identity opens an adjacent lifestyle lane that broadens his brand appeal beyond pure documentary. As serialized short-form storytelling continues to gain traction with younger audiences, a creator who combines Indigenous perspective, cinematic sensibility, and consistent chapter-format delivery is well positioned to attract documentary, media, and culturally conscious brand partners.
Bixbyfilms reaches an audience concentrated in United States primarily through YouTube, and is best activated via long-form YouTube integrations, Instagram Reels and Stories, TikTok branded content. As an education creator they map naturally to brands targeting that space. With no brand deals logged yet, they read as an available, category-aligned partner for advertisers building early presence in the space. Engagement on YouTube runs around 2.5%, which points to an audience better suited to category-relevant, mid-funnel campaigns than to pure-reach buys. The channel's mix of long-form YouTube integrations and Instagram Reels and Stories lets a sponsor choose between short awareness placements and longer, more detailed integrations. Because the audience follows education content rather than arriving through untargeted reach, sponsorships that match the channel's subject matter tend to convert more efficiently than broad placements. A consistent, on-topic posting focus gives sponsors a predictable, brand-safe environment, lowering placement risk compared with broad, general-interest channels. Campaigns here are best measured on qualified engagement and consideration within the niche rather than on raw impression volume. For United States-focused brands in education and related categories, Bixbyfilms offers a defined, creative-fit audience rather than broad, low-intent impressions.
Benchmark estimates for a creator at Bixbyfilms's tier (Mid, 903K combined followers, United States). Pulled from CreatorDB's category benchmarks.
The CreatorDB Agency runs end-to-end influencer campaigns globally — shortlisting, outreach, contracting, and performance reporting. Talk to our team about building a campaign around creators in this niche.
Bixbyfilms is a member of the Lumbee Tribe, one of the largest Indigenous nations in the eastern United States, with roots primarily in North Carolina. They openly identify as Indigenous across all of their social media bios and incorporate that perspective into their storytelling work.
Yes — the series covers the July 2012 mass shooting at the Century 16 movie theater in Aurora, Colorado, which took place during a midnight screening of The Dark Knight Rises. Bixbyfilms breaks the story into multiple installments, going deep on the victims, the events, and the aftermath rather than treating it as a single quick video.
Rebecca Wingo was one of the twelve people killed in the 2012 Aurora theater shooting. Bixbyfilms specifically spotlights her story within their multi-part series, dedicating content to humanizing her as an individual rather than a statistic.
The series runs to at least seven parts, with each installment expanding a different angle of the tragedy — from the events of the night to the individual victims' stories. This serialized format is a signature of how Bixbyfilms approaches major historical and true crime events.
Bixbyfilms covers both — their content spans high-profile tragedies like the Aurora shooting as well as unsolved cases, which they tag under #unsolved. The mix gives their channel range across the true crime and history space rather than locking into only famous cases.
@bixbydrip is a secondary account that Bixbyfilms promotes directly in their Instagram bio. The exact focus of that account isn't detailed in public bios, but it appears to be a sister brand or personal account they direct their audience toward alongside their main storytelling content.
All three overlap in Bixbyfilms' content. They use hashtags across #historytok, #truecrimetok, and #scarystories, meaning a single video can function as a history lesson, a crime narrative, and a chilling story at the same time. That blend is a core part of their creative identity as a storyteller and filmmaker.
TikTok is currently their largest platform by follower count, with well over half a million followers, while their YouTube presence sits in the mid-tier range overall. They maintain an active Instagram as well, making TikTok the primary discovery platform for new audiences.
Bixbyfilms lists a PO Box in St. Petersburg, Florida across their Instagram and TikTok bios. That's the public contact address they share for mail and business inquiries.
The serialized multi-part format is central to Bixbyfilms' style as a storyteller and filmmaker — it builds suspense, rewards returning viewers, and fits the short-form nature of TikTok while still allowing them to go deep on complex events. Their Aurora series is the clearest example, stretching a single historical event across at least seven episodes to give every layer its own room.
Stats (followers, engagement, audience demographics, growth) are pulled live from the CreatorDB API covering YouTube, Instagram and TikTok. Bio and FAQ content is AI-assisted; news items are sourced from cited public press at generation time. Read the full methodology →
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@bixbyfilms · YouTube
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