Russia
AquaNime is a Russia-based anime media channel that built its presence around delivering Japanese and Chinese animation news to Russian-speaking audiences.
Total Followers +0.0%
20K
Across YouTube
Primary Platform
20K followers · 100% of audience
Engagement
1.4%
vs. 1.5% category median
Sponsorship Tier
Micro
Est. — / IG post
| Platform | Followers | 30d Growth | Engagement | Posts / wk | Last upload |
|---|---|---|---|---|---|
| YouTube | 20,000 | +0 | 1.4% | — | 2 years ago |
| Window | YouTube | Combined | ||
|---|---|---|---|---|
| Last 7 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
| Last 30 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
| Last 90 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
| Last 365 days | +0 +0.0% | +0 +0.0% | +0 +0.0% | +0 |
Daily follower snapshots from CreatorDB's longitudinal index.
AquaNime is a Russia-based anime media channel that built its presence around delivering Japanese and Chinese animation news to Russian-speaking audiences. The channel's core output centers on subtitling promotional videos and announcements — PV trailers, teasers, and release notices — giving Russian fans early access to content that rarely receives official localization. Coverage appears to extend beyond traditional Japanese anime into Chinese animated productions (donghua), as evidenced by content around titles like White Snake 3: Fleeting Life, signaling a broader East Asian animation focus. The handle itself blends a stylistic prefix with 'anime,' and the channel maintains a companion navigation catalog on VK, the dominant Russian social platform, where followers can browse organized title information — suggesting a community-resource approach rather than a purely entertainment-first channel.
With a micro-tier following and a balanced gender split, AquaNime appears to serve a dedicated niche of Russian-speaking animation enthusiasts rather than a mainstream audience. YouTube activity has been dormant for roughly two years as of mid-2026, which in the Russian creator landscape often reflects migration toward VK or Telegram, both of which have grown substantially as content hubs following shifts in platform access. The absence of commercial sponsors points to this being a fan-driven, community-service operation — a position that carries its own credibility within tight-knit fandoms. Should the channel resume consistent output, its dual focus on Japanese anime and Chinese animation positions it well to capture a Russian audience with growing appetite for donghua, a niche that remains underserved by larger regional media players.
AquaNime reaches an audience concentrated in Russia primarily through Instagram, and is best activated via long-form YouTube integrations. As an anime creator they map naturally to brands targeting that space. With no brand deals logged yet, they read as an available, category-aligned partner for advertisers building early presence in the space. Engagement on Instagram runs around 1.4%, which points to an audience better suited to category-relevant, mid-funnel campaigns than to pure-reach buys. Their Instagram-first format lends itself to integrations that sit inside the creator's usual content rather than running as standalone ads. Because the audience follows anime content rather than arriving through untargeted reach, sponsorships that match the channel's subject matter tend to convert more efficiently than broad placements. A consistent, on-topic posting focus gives sponsors a predictable, brand-safe environment, lowering placement risk compared with broad, general-interest channels. Campaigns here are best measured on qualified engagement and consideration within the niche rather than on raw impression volume. For Russia-focused brands in anime and related categories, AquaNime offers a defined, creative-fit audience rather than broad, low-intent impressions.
Benchmark estimates for a creator at AquaNime's tier (Micro, 20K combined followers, Russia). Pulled from CreatorDB's category benchmarks.
The CreatorDB Agency runs end-to-end influencer campaigns globally — shortlisting, outreach, contracting, and performance reporting. Talk to our team about building a campaign around creators in this niche.
Yes, adding Russian subtitles (субтитры) to anime and donghua content is central to what AquaNime does. Their posts covering White Snake 3 trailers and announcements with Russian subtitles are a signature part of their appeal for Russian-speaking fans who lack official localized versions.
Белая Змея 3: Мимолётная Жизнь is the Russian title for White Snake 3: Transient Life, the third installment in the Chinese animated White Snake fantasy franchise. AquaNime shared both the announcement and early promotional videos (PV1 and PV2) with Russian subtitles for their audience.
AquaNime covers anime broadly but their recent content is heavily focused on Chinese animation (donghua). Their posts about the White Snake film series point to a close interest in Chinese animated titles alongside more traditional Japanese anime.
AquaNime's YouTube channel has been inactive for roughly two years as of mid-2026, with no new uploads during that window. Their active output appears to have moved to Instagram and their organized VK community.
AquaNime maintains a navigation catalog on VK at vk.com/amtitle, where title-specific information is organized for easy browsing. Their YouTube bio points directly to this VK navigation page as the main reference hub for their coverage.
AquaNime uses VK — Russia's major social network — as both an organized archive of anime and donghua title information and a direct contact point with their audience. The community at vk.com/amtitle functions as a structured catalog backing up their social posts.
AquaNime operates similarly to a fansub project, sharing trailers and announcements for anime and Chinese animated films with Russian subtitles applied. They serve Russian-speaking viewers who can't easily find official subtitled or dubbed releases for newer donghua titles.
AquaNime's audience spans both groups, split roughly evenly between male and female viewers who follow Russian-language anime and Chinese animation coverage. Their emphasis on subtitled Chinese animated films like the White Snake series suggests strong overlap with the growing Russian donghua fanbase.
AquaNime is based in Russia. All of their content, subtitles, and community spaces are in Russian, and they maintain a presence on VK — the platform most widely used by Russian-speaking audiences — alongside Instagram.
As of 2026, Instagram is AquaNime's primary active platform for posting. Their YouTube channel has sat dormant for around two years, so Instagram and their VK community are where current content and audience interaction are happening.
Stats (followers, engagement, audience demographics, growth) are pulled live from the CreatorDB API covering YouTube, Instagram and TikTok. Bio and FAQ content is AI-assisted; news items are sourced from cited public press at generation time. Read the full methodology →
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@aquanime · Instagram
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