The-Kinjaz

Yes, The Kinjaz competed on NBC's World of Dance, the high-stakes dance competition series, where their theatrical and story-driven performances became some of the most talked-about moments of the show. Their signature blend of martial arts, choreography, and cinematic production translated powerfully to the televised format. The exposure introduced their Los Angeles crew to a massive mainstream audience beyond the dance community.

KinjazDojo.com is The Kinjaz's dedicated online learning platform where fans can study choreography directly from crew members. Routines featured in their YouTube videos — such as Vinh Nguyen's 'OG' combo — are made available there as structured lessons. It turns their performance content into an interactive experience and gives aspiring dancers a direct line to the crew's technique.

'Movement in the Shadows' is one of The Kinjaz's signature cinematic dance projects, referenced so consistently across their content that it functions as a defining creative series for the crew. It embodies their philosophy of treating choreography as storytelling rather than just performance, combining theatrical staging with intricate movement. The project helped establish their reputation for short-film-quality dance productions.

'It's Morphkin Time' is a 2025 Kinjaz production that riffs on the iconic Power Rangers 'It's Morphin' Time' catchphrase, released as part of their 'Good Times 2025' series. It reflects The Kinjaz's long-standing approach of building large-scale, costume-driven, pop-culture-infused theatrical pieces rather than straightforward dance clips. The video showcases why their productions are consistently described as closer to entertainment spectacles than standard choreography content.

Anthony Lee is one of The Kinjaz's core choreographers and a widely recognized creative voice within the broader dance community. He regularly receives individual choreography credits on the crew's YouTube videos, including pieces like 'ARE YOU EVEN REAL,' and his expressive, detail-driven style is considered central to the Kinjaz aesthetic. Beyond the crew, he's respected as a solo choreographer with his own following among dance fans.

The Kinjaz blend hip-hop choreography with martial arts movement, theatrical storytelling, and cinematic production design — a combination they describe as their own creative language. Their performances are intentionally constructed to feel like short films, with narrative arcs, costumes, and set-level staging rather than a dancer in front of a plain backdrop. This approach is what separates them from most YouTube dance crews and gives their content a consistently high production value.

Yes, The Kinjaz released a full choreography video set to The Weeknd's 'Cry For Me,' adding it to their growing catalog of routines built around major pop and R&B releases. Videos tied to well-known artists consistently draw in new viewers searching specifically for choreography to those songs. It's a deliberate part of their content strategy — pairing their high-production style with music that already has a massive built-in search audience.

Yes, The Kinjaz produce the Kinjaz Podkast, which expands the crew's presence well beyond dance videos into conversation-based content. Episodes feature crew members and guests covering topics like creativity, music production, and personal stories — including adoptee experiences, which have been a recurring theme. It reflects the collective's stated mission of inspiring through 'movement, media, and mentality,' not just choreography.

The Kinjaz are based in Los Angeles, California, where they were founded and have operated as a dance company and creative collective since 2010. LA's entertainment and dance culture has clearly shaped their theatrical, production-heavy approach to content. While they perform on global stages, the United States — and specifically the LA scene — remains the foundation of their identity and audience.

The Kinjaz were founded in 2010, making them one of the longer-established dance collectives to successfully build a major digital platform presence over the years. Over more than a decade and a half, they've evolved from a Los Angeles performance crew into an international dance company with a YouTube following well into the millions. Their longevity in a fast-moving space reflects the durability of their theatrical, cinematic style.